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In the monthly feature “Collection in Focus”, we highlight remarkable digitised heritage items and surprising discoveries from the heritage collections of the University of Amsterdam. These collections are managed and made accessible by Allard Pierson, part of the UvA Library. This month’s spotlight is on the illustrations from the 18th-century Todten-Tantz.
Merian, Matthaeus, Johann Benjamin Andreae, and Heinrich Hort. Todten-Tantz. Franckfurt am Mayn: bey Joh. B. Andreä und H. Hort, 1725.
Cover
Merian, Matthaeus, Johann Benjamin Andreae, and Heinrich Hort. Todten-Tantz. Franckfurt am Mayn: bey Joh. B. Andreä und H. Hort, 1725.
Death and the Pope
Merian, Matthaeus, Johann Benjamin Andreae, and Heinrich Hort. Todten-Tantz. Franckfurt am Mayn: bey Joh. B. Andreä und H. Hort, 1725.
Death and the king

The 'dance of death' brought to life

In the Collections of the University of Amsterdam there is a remarkable copy of Todten-Tantz: a 1725 edition, published in Frankfurt am Main by Johann Andrea and Heinrich Hort. The term “dance of death” may call to mind the musical piece Danse Macabre by Camille Saint-Saëns, but the motif has its origins in painting. The fifteenth-century wall paintings from Basel show a procession of figures (from merchant to priest) who all come into contact with Death, depicted as a dancing skeleton. These paintings formed the basis for various book editions in which the striking plates, featuring similar figures, take center stage. The theme is the well-known maxim memento mori: remember (that you have) to die.

Merian, Matthaeus, Johann Benjamin Andreae, and Heinrich Hort. Todten-Tantz. Franckfurt am Mayn: bey Joh. B. Andreä und H. Hort, 1725.
Death and the Duchess
Merian, Matthaeus, Johann Benjamin Andreae, and Heinrich Hort. Todten-Tantz. Franckfurt am Mayn: bey Joh. B. Andreä und H. Hort, 1725.
Death and the Merchant

Bringing the collections back to life

This particular edition recently came to the attention of the image studio following a request to supply high-quality reproductions of the illustrations for an animation project. It is easy to see why this book is such an excellent candidate: thanks to the richly colored plates, the skeletons seem to leap off the page. By digitising the images, entirely new possibilities immediately arise. The 'dance of death' has never been so alive!

Merian, Matthaeus, Johann Benjamin Andreae, and Heinrich Hort. Todten-Tantz. Franckfurt am Mayn: bey Joh. B. Andreä und H. Hort, 1725.
Death and the Abbess
Merian, Matthaeus, Johann Benjamin Andreae, and Heinrich Hort. Todten-Tantz. Franckfurt am Mayn: bey Joh. B. Andreä und H. Hort, 1725.
Death and the Minstrel
Merian, Matthaeus, Johann Benjamin Andreae, and Heinrich Hort. Todten-Tantz. Franckfurt am Mayn: bey Joh. B. Andreä und H. Hort, 1725.
Death and the Peddler
Merian, Matthaeus, Johann Benjamin Andreae, and Heinrich Hort. Todten-Tantz. Franckfurt am Mayn: bey Joh. B. Andreä und H. Hort, 1725.
Death and the Blind Man
Merian, Matthaeus, Johann Benjamin Andreae, and Heinrich Hort. Todten-Tantz. Franckfurt am Mayn: bey Joh. B. Andreä und H. Hort, 1725.
Death and the Cook